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September 06, 2012 ? admin

A flexed vertical line topped with a pair of parallel branches brought an indian designer into the history books ? and the unicode character set

The Dollar, the Found, the Euro, the Yen and the Yuan have all had their own recognisable typographic symbols for many years. In July 2010, India joined the currency symbol register with its own unique Rupee symbol, and with that, 32 ? year ? old Dharmalingam Udaya Kumar acquired a place in his countryrecords for posterity.

Reflecting on that moment two years ago, the graduate of the Indian Institute of Technology (IIT) in Bombay says, is a great honour to be part of India history. I responded to a competition floated by the government of India specifying that the symbol should reflect our cultural ethos and tradition. The symbol denotes the letter in Devanagiri script, which is a unique script portraying our Indian ? ness, and partly the Roman letter capital, without the vertical stem. The letters are an abbreviation of the word Rupiah in Hindi and Rupees in English, both denoting the Indian currency. I seamlessly blended the two scripts to make it a universal symbol. In addition, it symbolically represents our tricolour tlag at the top and the mathematical signifies balance and a stable economy.?

Now an assistant professor in the Department of Design at IIT, Guwahati, Udaya sees teaching as a two-way process. learn from you and you learn from them, says. this digital world, most of them are already up-to-date with global design. To stay well-informed, I read, both online and offline, about the latest happenings in design asked to select three career highlights, he names a trio that were challenge and totally different in terms of its nature, ideation, scale and output. These are my architecture thesis, Waterworld, where I designed futuristic floating cities to deal with congestion in seaside cities such as Mumbai. The second was a Tamil typeface design which was perhaps a natural corollary to my doctoral thesis in Transformation of Tamil Letterforms From Palm Leaf Manuscripts to Early Letterpress Printing. The third most important the Indian Rupee symbol.?

Udaya finds today young designers creative but they need to be constantly pushed and encouraged.? He adds: are plentiful innovative and creative design activities happening across India. Indian design may or may not be comparable to the work being done in the outside world, as it is in most cases cultural and contextual. being a technocrat, he carries a strong faith in the value of design that respects the environment: future, nature will protect us, not technology.?

Source: http://www.copeh-mena.org/success-symbol/

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